A TRUE DA VINCI CODE

PART TWO

Having discovered a secret message in the Part One which Henri does it refer to? Unfortunately as you’ll soon discover it was not quite finished yet for the 1495 code also refers to letters on the wooden box. So by locating letters 1,4,9,5 on the box we get the following configuration.

This reveals several letters I, O, N and S on the top line, followed by M, O, E and P on the bottom line, but IONSMOEP does not form any logical word, unless you rearrange it into another anagram which when unscrambled produces the phrase ‘SION POEM’. There are odd incidents of SION Poems, Lament for a Sion, Daughters of Sion but bearing in mind the connection to Leonardo Da Vinci none of this made any sense. It was a brief time later that it struck me to add the message from the first part HENRI VI with the second part SION POEM which produced the message HENRI VISION POEM. But what Vision Poem though and what Henri?

The only conclusion I came up with was Henry VII as mentioned in Dante’s Paradise:

Paradiso Canto XXX: 97-148 The Ranks of the Blest
      O splendour of God, through which I saw the high Triumph of the kingdom of truth: give me the power to say what I saw.
      There is a light, up there, that makes the Creator visible to the creature, who only in seeing him finds its peace: and it extends so far in a circle, that its rim would loosely contain the sun’s light. It whole appearance is formed of rays reflected from the surface of the Primum Mobile, which draws its life and power from them. And as a hillside reflects itself in the water at its foot, as if to view its own beauty, rich in grass and flowers, so, rising above the light, around, around, I saw all of us who have won their way back up there, casting their reflection in more than a thousand ranks.
      And if the lowest level attracts so great a light inside it, what of the intensity of the rose’s outer petals? My sight was not lost itself in the height and breadth, but grasped the quality and quantity of joy. Near and far do not add or subtract there, since where God rules without mediation the laws of nature have no relevance.
      Beatrice drew me, a man silent, who would speak, into the yellow glow of the eternal Rose, that rises layer on layer, and exudes the perfume of praise, towards the Sun, that makes eternal Spring, saying: ‘Marvel at the vastness of the white-robed gathering! Our City, see how wide its circle! See our thrones, filled, so that few spirits are still awaited there.
      The soul, an imperial one on earth, of  Henry the Seventh, shall sit on that high seat, that you fix your eyes on because of the crown you already see placed over it, before you yourself dine at this wedding feast: he, who will come to set Italy straight before she is ready for it. Blind greed that mazes you has made you like a little child that chases away its nurse while dying of hunger: and he, Clement, who will be Pope then in the court of divine things, will be such as will not tread the same path as him, openly or in secret. But God will not suffer him long in that sacred office, since he will be forced down where Simon Magus is, for his reward, and push Boniface, him of Anagna lower still.’


Given the two messages already contained with one specific area of The Crucifixion painting you would be fooled into believing that there would be no more, alas you would be wrong for there are two more secret messages contained within the 1495 wooden block alone. The first is contained within the letters themselves 



Here we can plainly see the word ONORUS on the bottom line contained within Montorfano’s own name, but why? And what is Onorus?
 
Orus could be a reference to the Egyptian God Horus, but what about the first two letters? By looking closely we can plainly see a connection between that and the astrological symbol for Leo.


Leo can be used to present a number of things even down to the countries of the world, with Leo used to indicate France, Italy, Macedonia, Romania, Sicily, Madagascar or Zanzibar. If the first two letters are indeed used to represent a country, then what about the rest of letters, what do they represent? According to research undertaken by other prolific eminent people in their fields, Horus has been re-incarnated in the Christian faith as Jesus, that would indeed make sense considering there have been stories throughout history that have linked Jesus being in France, but it is my belief that this means Israel because of The Lion Of Judah.


With that out of the way let me show you, the second and for me the most interesting one. For those of you with an interest in astronomy (the scientific study of the universe) you will instantly recognize that pattern, for those of you who are not familiar with the science let me illuminate you further



This is the star system Canis Major which the pattern of triangles as shown in top picture. 



Given the context it’s displayed in what is the meaning? Canis Major, The Great Dog Is the King of the North stated in Psalm 22:20 and Daniel 11:40.

“Deliver my soul from the sword; my darling from the power of the dog.”
 “At the time of the end the king of the South will engage him in battle, and the king of the North will storm out against him with chariots and cavalry and a great fleet of ships. He will invade many countries and sweep through them like a flood.”
 The King of the North is mentioned several times throughout not only the bible, but history too.  However what is known about this King derives from the very first one called Satan the King of Babylon and the King of Tyre. Now we had a lot of information which we need to correlate into some form of sense:

  1. Henri
  2. Vision Poem
  3. Orus
  4. Leo
  5. King Of The North
This is then transcribe into the following message, a warning: 'Henri, the devilish pope created Jesus in Israel for the benefit of Babylon.'
 
What makes me so sure that it is the King of the North in the stars? To answer that question all we have to do is look in paragraph 515 in Leonardo Da Vinci’s notebooks.
 


515.
THAT THE LIGHT FOR DRAWING FROM NATURE SHOULD BE HIGH UP.
The light for drawing from nature should come from the North in
order that it may not vary. And if you have it from the South, keep
the window screened with cloth, so that with the sun shining the
whole day the light may not vary. The height of the light should be
so arranged as that every object shall cast a shadow on the ground
of the same length as itself.